![AFTER ANTONIO CANOVA (1757-1822) | PSYCHE REVIVED BY CUPID'S KISS | BC/AD Sculpture Ancient to Modern | 2020 | Sotheby's AFTER ANTONIO CANOVA (1757-1822) | PSYCHE REVIVED BY CUPID'S KISS | BC/AD Sculpture Ancient to Modern | 2020 | Sotheby's](https://sothebys-md.brightspotcdn.com/dims4/default/2d69961/2147483647/strip/true/crop/2000x2000+0+0/resize/2048x2048!/quality/90/?url=http%3A%2F%2Fsothebys-brightspot.s3.amazonaws.com%2Fmedia-desk%2F25%2F98%2F0091ad3647818bc19a49fc231252%2Fl20231-blllk-01.jpg)
AFTER ANTONIO CANOVA (1757-1822) | PSYCHE REVIVED BY CUPID'S KISS | BC/AD Sculpture Ancient to Modern | 2020 | Sotheby's
Antonio Canova (1757–1822) | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History
![The Eternal Beauty, according to Canova, on display in Rome - Idealwork: concrete finishes for internal and external use The Eternal Beauty, according to Canova, on display in Rome - Idealwork: concrete finishes for internal and external use](https://www.idealwork.com/wp-content/uploads/2020/01/mwnI4GsA.jpeg)
The Eternal Beauty, according to Canova, on display in Rome - Idealwork: concrete finishes for internal and external use
![Antonio Canova in his studio with Henry Tresham and a plaster model for Cupid and Psyche | Hamilton, Hugh Douglas | V&A Explore The Collections Antonio Canova in his studio with Henry Tresham and a plaster model for Cupid and Psyche | Hamilton, Hugh Douglas | V&A Explore The Collections](https://framemark.vam.ac.uk/collections/2006AL6950/full/735,/0/default.jpg)